Lin-Manuel Miranda – Hamilton: An American Musical (Original Broadway Cast Recording)
Label: |
Atlantic – 552918-1 |
|---|---|
Format: |
Box Set
, Album, Stereo
|
Country: |
USA & Canada |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Musical |
Tracklist
| Act I | |||
| A1 | Alexander Hamilton | ||
| A2 | Aaron Burr, Sir | ||
| A3 | My Shot | ||
| A4 | The Story Of Tonight | ||
| A5 | The Schuyler Sisters | ||
| B1 | Farmer Refuted | ||
| B2 | You'll Be Back | ||
| B3 | Right Hand Man | ||
| B4 | A Winter's Ball | ||
| B5 | Helpless | ||
| C1 | Satisfied | ||
| C2 | The Story Of Tonight (Reprise) | ||
| C3 | Wait For It | ||
| C4 | Stay Alive | ||
| C5 | Ten Duel Commandments | ||
| C6 | Meet Me Inside | ||
| C7 | That Would Be Enough | ||
| D1 | Guns And Ships | ||
| D2 | History Has Its Eyes On You | ||
| D3 | Yorktown (The World Turned Upside Down) | ||
| D4 | What Comes Next? | ||
| D5 | Dear Theodosia | ||
| D6 | Non-Stop | ||
| Act II | |||
| E1 | What'd I Miss | ||
| E2 | Cabinet Battle #1 | ||
| E3 | Take A Break | ||
| E4 | Say No To This | ||
| E5 | The Room Where It Happens | ||
| F1 | Schuyler Defeated | ||
| F2 | Cabinet Battle #2 | ||
| F3 | Washington On Your Side | ||
| F4 | One Last Time | ||
| F5 | I Know Him | ||
| F6 | The Adams istration | ||
| F7 | We Know | ||
| G1 | Hurricane | ||
| G2 | The Reynolds Pamphlet | ||
| G3 | Burn | ||
| G4 | Blow Us All Away | ||
| G5 | Stay Alive (Reprise) | ||
| G6 | It's Quiet Uptown | ||
| H1 | The Election Of 1800 | ||
| H2 | Your Obedient Servant | ||
| H3 | Best Of Wives And Best Of Women | ||
| H4 | The World Was Wide Enough | ||
| H5 | Who Lives, Who Dies, Who Tells Your Story |
Companies, etc.
- Licensed To – Atlantic Recording Corporation
- Licensed To – WEA International Inc.
- Copyright © – Hamilton Uptown Limited Liability Company
- Phonographic Copyright ℗ – Hamilton Uptown Limited Liability Company
- Recorded At – Avatar Studios
- Recorded At – Atlantic Studios
- Mixed At – Atlantic Studios
- Mixed At – Invictus Sound
- Mastered At – Sterling Sound
- Pressed By – Record Industry – 15232
Credits
- A&R – Pete Ganbarg
- A&R [istration] – Craig Rosen (2)
- Art Direction, Design – SpotCo
- Bass, Keyboards – Richard Hammond
- Cello – Anja Wood
- Concertmaster – Jonathan Dinklage
- Drums – Andres Forero*
- Effects [Broadway Sound Effects] – Nevin Steinberg
- Engineer [Assistant] – Tyler Hartman
- Ensemble [Vocals] – Voltaire Wade-Greene
- Executive-Producer – Tarik Thompson*
- Guitar, Banjo – Robin Macatangay
- Harp – Laura Sherman
- Keyboards [2], Music Director [Associate] – Kurt Crowley
- Mastered By – Tom Coyne
- Mixed By – Tim Latham
- Music By, Lyrics By, Arranged By – Lin-Manuel Miranda
- Music Director, Arranged By, Orchestrated By, Conductor, Keyboards [1] – Alex Lacamoire
- Percussion, Keyboards – Benny Reiner
- Producer – Tarik Trotter*
- Producer [Associate] – Thomas Kail
- Production Manager – Jill Dell'Abate
- Recorded By – Derik Lee
- Synthesizer, Drum Programming – Randy Cohen
- Viola, Violin – Mario Gotoh
- Violin – Erin Benim Mayland
- Vocals [Aaron Burr] – Leslie Odom
- Vocals [Alexander Hamilton] – Lin-Manuel Miranda
- Vocals [Angelica Schuyler] – Renee Goldsberry
- Vocals [Charles Lee], Ensemble [Vocals] – Jon Rua
- Vocals [Dolly], Ensemble [Vocals] – Sasha Hutchings
- Vocals [Eliza Hamilton] – Phillipa Soo
- Vocals [George Eacker], Ensemble [Vocals] – Ephraim Sykes
- Vocals [George Washington] – Christopher Jackson (4)
- Vocals [James Madison, Hercules Mulligan] – Okieriete Onaodowan
- Vocals [James Reynolds, Doctor], Ensemble [Vocals] – Sydney James Harcourt
- Vocals [John Laurens, Philip Hamilton] – Anthony Ramos
- Vocals [King George] – Jonathan Groff
- Vocals [Martha, Sentinel], Ensemble [Vocals] – Ariana Debose
- Vocals [Peggy Schuyler, Maria Reynolds] – Jasmine Cephas Jones
- Vocals [Samuel Seabury], Ensemble [Vocals] – Thayne Jasperson
- Vocals [Thomas Jefferson, Marquis De Lafayette] – Daveed Diggs
Notes
HAMILTON opened Off-Broadway at the Public Theater on February 17, 2015 and on Broadway at the Richard Rodgers Theater on August 6, 2015.
All songs music and lyrics by Lin-Manuel Miranda
© 5000 Broadway Music (ASCAP) istrered by WB Music Corp.
Track A3 ("My Shot") contains elements of "Shook Ones Pt. II" written by Albert Johnson, Kejuan Waliek Muchita; and "Going Back To Cali" written by Osten Harvey, Jr., Roger Troutman, Christopher Wallace; and "You've Got To Be carefully Taught" from South Pacific, Music by Richard Rodgers, Lyrics by Oscar Hammerstein II.
Track B3 ("Right Hand Man") contains elements of "The Modern Major General" from the Pirates of Penzance written by W.S. Gilbert and Arthur Sullivan, Original production premiered at Opera Comique, London in April, 1880.
Track C5 ("Ten Duel Commandments") contains elements of "Ten Crack Commandments" written by Christopher E. Martin, Khary Kimanl Turner.
Trach C6 ("Meet Me Inside") contains elements of "Party Up (Up In Here)" written by Kasseem Dean, Earl Simmons.
Track E2 ("Cabinet Battle #1) contains elements of "The Message" written by Clifton Nathaniel Chase, Edward G. Fletcher, Melvin Glover, Sylvia Robinson
Track E4 ("Say No To This") contains elements of "Nobody Needs To Know" from the Last Five Years. Music and lyrics by Jason Robert Brown.
Track F7 ("Cabinet Battle #2) contains elements of "Juicy (It's All Good)" written by Sean Combs, James Mtume, Jean-Claude Oliviert, Christopher Wallace.
Track G4 ("Blow Us All Away") contains elements of "Ten Crack Commandments" written by Christopher E. Martin, Khary Kimanl Turner; and "Shook Ones Pt. II" written by Albert Johnson, Kejuan Waliek Muchita.
Track H4 ("The World Was Wide Enough") contains elements of "Ten Crack Commandments " written by Christopher E. Martin, Khary Kimanl Turner.
AvantGrand Piano provided by Yamaha
Questlove exclusively plays ModernCre8ve Table 001 April Writing Desk Series
Include booklet containing production and recording details, and libretto.
Tracks are numbered sequentially.
All songs music and lyrics by Lin-Manuel Miranda
© 5000 Broadway Music (ASCAP) istrered by WB Music Corp.
Track A3 ("My Shot") contains elements of "Shook Ones Pt. II" written by Albert Johnson, Kejuan Waliek Muchita; and "Going Back To Cali" written by Osten Harvey, Jr., Roger Troutman, Christopher Wallace; and "You've Got To Be carefully Taught" from South Pacific, Music by Richard Rodgers, Lyrics by Oscar Hammerstein II.
Track B3 ("Right Hand Man") contains elements of "The Modern Major General" from the Pirates of Penzance written by W.S. Gilbert and Arthur Sullivan, Original production premiered at Opera Comique, London in April, 1880.
Track C5 ("Ten Duel Commandments") contains elements of "Ten Crack Commandments" written by Christopher E. Martin, Khary Kimanl Turner.
Trach C6 ("Meet Me Inside") contains elements of "Party Up (Up In Here)" written by Kasseem Dean, Earl Simmons.
Track E2 ("Cabinet Battle #1) contains elements of "The Message" written by Clifton Nathaniel Chase, Edward G. Fletcher, Melvin Glover, Sylvia Robinson
Track E4 ("Say No To This") contains elements of "Nobody Needs To Know" from the Last Five Years. Music and lyrics by Jason Robert Brown.
Track F7 ("Cabinet Battle #2) contains elements of "Juicy (It's All Good)" written by Sean Combs, James Mtume, Jean-Claude Oliviert, Christopher Wallace.
Track G4 ("Blow Us All Away") contains elements of "Ten Crack Commandments" written by Christopher E. Martin, Khary Kimanl Turner; and "Shook Ones Pt. II" written by Albert Johnson, Kejuan Waliek Muchita.
Track H4 ("The World Was Wide Enough") contains elements of "Ten Crack Commandments " written by Christopher E. Martin, Khary Kimanl Turner.
AvantGrand Piano provided by Yamaha
Questlove exclusively plays ModernCre8ve Table 001 April Writing Desk Series
Include booklet containing production and recording details, and libretto.
Tracks are numbered sequentially.
Barcode and Other Identifiers
- ASIN: B01CTFZI32
- Barcode: 075678666919
- Matrix / Runout (Side A): 15232 1A 1-552918
- Matrix / Runout (Side B): 15232 1A 1-552918
- Matrix / Runout (Side C): 15232 1C 1-552918
- Matrix / Runout (Side D): 15232 1D 1-552918
- Matrix / Runout (Side E): 15232 1E 1-552918
- Matrix / Runout (Side F): 15232 1F 1-552918
- Matrix / Runout (Side G): 15232 3G 1-552918
- Matrix / Runout (Side H): 15232 1H 1-552918
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Hamilton: An American Musical (Original Broadway Cast Recording) (2×CD, Album) | Atlantic | 551093-2 | US | 2015 | ||
|
Recently Edited
|
Hamilton: An American Musical (Original Broadway Cast Recording) (2×CD, Album) | Atlantic | 7567-86684-3 | Europe | 2015 | ||
|
New Submission
|
Hamilton: An American Musical (Original Broadway Cast Recording) (2×CD, Album) | Atlantic | 556345-2 | US | 2015 | ||
|
Recently Edited
|
Hamilton: An American Musical (Original Broadway Cast Recording) (2×CD, Album) | Atlantic | 7567866843 | Australia | 2015 | ||
|
New Submission
|
Hamilton: An American Musical (Original Broadway Cast Recording) (2×CD, Album) | Atlantic | 7567-86684-3 | Europe | 2015 |
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2023 WorldwideVinyl —LP, Album, Record Store Day, Reissue -
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Reviews
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What can be said about Hamilton that hasn’t been said by other but WOW the whole performance is amazing, catchy and accessible for all ages and tastes
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This musical is amazing. I don’t like musicals at all and I really liked this one. Specially the first 2 disc are amazing (the first act). -
It’s alright at best. The songs themself are amazing but the quality of the records are questionable. Act II side G + H are super messed up for me and skip a ton. But honestly it is like they put on a live performance in your room and it’s pretty awesome
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Mine has a "made in Czech Republic" sticker on the back, any one else got it too?
Might be a reissue that isn't on Discogs yet -
Can't believe how good this box set is. They basically play a live show in front of you in your room if you've got the system for it.
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Edited 3 years agoGreat box set in every way. Sound is- well let me just ask: do you want the original cast to sing and rap in your living room? Get one.
Yes, excellent separation and clarity. Good range from high to lows and rich textures and harmony. Flat, quiet pressings. Nice work on the printing and packaging. Worth the price of ission and more. Light years beyond every other audio or video recording I've experienced of this. Beaten only by the real play.... -
Edited 3 years agoawful pressing. came scratched and with a broken sleeve. bought it around 2018 and havent opened it until now. absolutely not worth the money. obviously rushed in production to keep up with hype. -
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Edited 4 years agoBarnes and Nobles still has them. Ordered and delivered in a few days. Overall, very nice package. Box is solid, book is is thin but nice printing quality. It's basically the lyrics. Records are about 140-150 so nothing great, but expected. The pressings themselves are very good. I don't know the lineage of it, but the quality is good. Sound seems full spectrum, lots of lows and good separation. My wife and daughter listened to it straight through last night and enjoyed it. I thought it sounded good too and I'm very particular on sound quality. No complaints, worth the $80 paid.
Played with VPI Prime (JMW memorial tonearm), Hana SL, McIntosh c49, McIntosh MC152 Dynaudio Evoke 20 bookshelves, PSB sub.
Release
See all versions
Recently Edited
Recently Edited
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