Amy WinehouseBack To Black

Label:

Universal Republic Records – B0008994-01

Format:

Vinyl , LP, Album , TML

Country:

US

Released:

Genre:

Pop

Style:

Contemporary Jazz

Tracklist

A1 Rehab
Alto SaxophoneChris Davies*
Arranged By [Band]Mark Ronson
Arranged By [Orchestra], ConductorChris Elliott
Baritone SaxophoneIan Hendrickson-Smith
Bass GuitarNick Movshon
CelloJohn Heley
Contractor [Orchestra]Isobel Griffiths
DrumsHomer Steinweiss
Engineer [Assistant]Mike Makowski
GuitarThomas Brenneck
HandclapsVictor Axelrod
HarpHelen Tunstall
Leader [Orchestra]Perry Montague-Mason
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
PercussionFrank Ricotti
Piano, Electric Piano [Wurlitzer]Victor Axelrod
ProducerMark Ronson
Recorded ByVaughan Merrick
Tenor SaxophoneNeal Sugarman
Tenor TromboneRichard Edwards (2)
TrumpetSteve Sidwell
ViolaRachel Bolt
ViolinWarren Zielinski
3:30
A2 You Know I'm No Good
Baritone SaxophoneNeal Sugarman
Bass GuitarNick Movshon
DrumsHomer Steinweiss
GuitarThomas Brenneck
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
Piano, Electric Piano [Wurlitzer], HandclapsVictor Axelrod
ProducerMark Ronson
Recorded ByVaughan Merrick
Recorded By [Assistant]Mike Makowski
Tenor SaxophoneIan Hendrickson-Smith
TrumpetDave Guy
4:15
A3 Me & Mr Jones
Backing VocalsAmy Winehouse
Baritone Saxophone, Tenor SaxophoneVincent Henry
Bass Trumpet, FlugelhornBruce Purse
Double Bass [Upright Bass], Drums, PianoSalaam Remi
GuitarVincent Henry
Mixed ByGary "G Major" Noble*
Mixed By [Assistant]James Wisner
ProducerSalaam Remi
Recorded ByFranklin Socorro
Recorded By [Assistant]Shomari "Sho" Dillon
2:30
A4 Just Friends
BassSalaam Remi
Clarinet, Bass ClarinetVincent Henry
GuitarVincent Henry
Mixed ByGary "G Major" Noble*
Mixed By [Assistant]James Wisner
Organ, Electric Piano [Rhodes]John Adams*
ProducerSalaam Remi
Recorded ByFranklin Socorro
Recorded By [Assistant]Shomari "Sho" Dillon
Trumpet, Bass Trumpet, FlugelhornBruce Purse
3:10
A5 Back To Black
Alto SaxophoneChris Davies*
Arranged By [Band]Mark Ronson
Arranged By [Orchestra], ConductorChris Elliott
Baritone SaxophoneDave Bishop
Bass GuitarNick Movshon
CelloJohn Heley
Contractor [Orchestra]Isobel Griffiths
DrumsHomer Steinweiss
Engineer [Assistant]Mike Makowski
GuitarThomas Brenneck
Leader [Orchestra]Perry Montague-Mason
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
PercussionFrank Ricotti
PianoVictor Axelrod
ProducerMark Ronson
Recorded ByVaughan Merrick
TambourineMark Ronson
Tenor SaxophoneJamie Talbot
ViolaRachel Bolt
ViolinWarren Zielinski
Written-ByMark Ronson
4:00
A6 Love Is A Losing Game
Alto SaxophoneChris Davies*
Arranged By [Band]Mark Ronson
Arranged By [Orchestra], ConductorChris Elliott
Baritone SaxophoneDave Bishop
Bass GuitarNick Movshon
CelloJohn Heley
Contractor [Orchestra]Isobel Griffiths
DrumsHomer Steinweiss
Engineer [Assistant]Mike Makowski
GuitarThomas Brenneck
HarpHelen Tunstall
Leader [Orchestra]Perry Montague-Mason
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
PercussionFrank Ricotti
PianoVictor Axelrod
ProducerMark Ronson
Recorded ByVaughan Merrick
Tenor SaxophoneMike Smith (3)
Tenor TromboneRichard Edwards (2)
TrumpetSteve Sidwell
ViolaRachel Bolt
ViolinWarren Zielinski
2:32
B1 Tears Dry On Their Own
Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Flute, Clarinet, Piano, Celesta [Celeste], GuitarVincent Henry
Backing VocalsAmy Winehouse
Bass, PianoSalaam Remi
Drums, TambourineTroy Auxilly-Wilson
GuitarVincent Henry
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
ProducerSalaam Remi
Recorded ByFranklin Socorro
Recorded By [Assistant]Shomari "Sho" Dillon
Trumpet, Bass Trumpet, FlugelhornBruce Purse
Written-By ["Ain't No Mountain High Enough" Sample]Nickolas Ashford And Valerie Simpson*
3:03
B2 Wake Up Alone
Arranged By [Band]Mark Ronson
Bass GuitarNick Movshon
DrumsHomer Steinweiss
Engineer [Assistant]Mike Makowski
GuitarThomas Brenneck
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
PianoVictor Axelrod
ProducerMark Ronson
Recorded ByVaughan Merrick
Written-ByPaul O'Duffy*
3:40
B3 Some Unholy War
Backing VocalsAmy Winehouse
Bass, DrumsSalaam Remi
GuitarVincent Henry
Mixed ByGary "G Major" Noble*
Mixed By [Assistant]James Wisner
OrganJohn Adams*
ProducerSalaam Remi
Recorded ByFranklin Socorro
Recorded By [Assistant]Shomari "Sho" Dillon
2:20
B4 He Can Only Hold Her
Baritone SaxophoneCochemea Gastelum
Bass GuitarNick Movshon
DrumsHomer Steinweiss
Finger SnapsMark Ronson
GuitarThomas Brenneck
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
PercussionSam Koppelman
PianoVictor Axelrod
ProducerMark Ronson
Producer [Original Demo]P*Nut
Recorded ByVaughan Merrick
Tenor SaxophoneNeal Sugarman
TrumpetDave Guy
Written-By ["She's A Fox Now Sample"]Robert Poindexter
2:45
B5 You Know I'm No Good
Arranged By [Band]Mark Ronson
Baritone SaxophoneIan Hendrickson-Smith
Bass GuitarNick Movshon
Computer [Protools By]Derek Pacuk
DrumsHomer Steinweiss
Electric Piano [Wurlitzer], Piano, HandclapsVictor Axelrod
Engineer [Assistant]Mike Makowski
FeaturingGhostface Killah
GuitarThomas Brenneck
Mixed ByTom Elmhirst
Mixed By [Assistant]Matt Paul
Recorded ByVaughan Merrick
Tenor SaxophoneNeal Sugarman
TrumpetDave Guy
3:20

Companies, etc.

  • Phonographic Copyright ℗Island Records
  • Copyright ©Island Records
  • Licensed ToUniversal Records
  • Published ByEMI Music Publishing
  • Published ByEMI Blackwood Music Inc.
  • Published ByEMI Music Publishing Ltd.
  • Published ByInouye Music
  • Published ByJobete Music
  • Published ByJobete Music (UK) Ltd.
  • Published ByIQ Music Ltd.
  • Recorded AtInstrument Zoo
  • Recorded AtDapking Studios
  • Recorded AtChung King Studios
  • Recorded AtMetropolis Studios
  • Recorded AtDaptone Studios
  • Recorded AtAllido Sound
  • Mixed AtCircle House Studios
  • Lacquer Cut AtThe Mastering Lab
  • Pressed ByUnited Record Pressing
  • Designed AtFree Barrabas!
  • Distributed ByUniversal Music Distribution

Credits

  • Booking [Tour]Paul Franklin (3)
  • DesignAlex Hutchinson
  • Management [At Metropolis Music]Raye Cosbert
  • Photography ByMishca Richter*
  • Photography By [Centre Page]Harry Benson (2)
  • Written-ByAmy Winehouse

Notes

℗ & © 2006 Island Records (UK) licensed exclusively to Universal Records, a Division of UMG Recordings, Inc.

This is the original US pressing, the repress Back To Black came out a year later which is discernible from this edition as the repress has a larger Parental Advisory logo on the bottom left hand corner of the front cover printed, not a sticker.

There are two similar 2006 US pressings: this one, were the lacquer is cut at Sterling Sound for the East Coast.

All tracks published by EMI Music Publishing, except A5 published by EMI Blackwood Music Inc., EMI Music Publ. Ltd., Inouye Music (BMI), track B1 published by EMI Music Publishing, Jobete Music Inc, Jobete Music (UK) Ltd. and track B4 published by EMI Music Publishing, IQ Music Ltd.

Track A1, A2, A5, A6, B2, B4, B5 mixed for osOHso.
Track A3, A4, B3 recorded at Instrument Zoo, Miami, Fl. Mixed at Circle House Studios for osOHso.
Track B1 recorded at Instrument Zoo, Miami, Fl. Mixed for osOHso.

Track A1, A2, A5, A6, B2 and B6 recorded at Dapking Studios, Chung King Studios and Metropolis Studios, London.

Track B1 contains a sample interpolation of "Ain't No Mountain High Enough" published by Jobete Music Inc and Jobete Music (UK) Ltd.

Track B4 recorded at Daptone Studios, Allido Studios and at Metropolis Studios. Contains a sample interpolation of "She's A Fox Now" published by IQ Music Ltd.

Ghostface Killah appears courtesy of Def Jam Records.

Barcode and Other Identifiers

  • Barcode (Text): 6 02517 34129 6
  • Barcode (Scan): 602517341296
  • Rights Society: BMI
  • Matrix / Runout (Side A runout): B0008994-01-A-RE1 TML-M
  • Matrix / Runout (Side B runout): B0008994-01-B TML-M

Other Versions (5 of 189)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Back To Black (CD, Album, Enhanced) Universal Records 171 304-1 UK 2006
Back To Black (CD, Album, Stereo, Super Jewel Box) Island Records Group 171 421 1, 171 421-1 Europe 2006
Recently Edited
Back To Black (CD, Album) Universal Records 460502601168 Russia 2006
Recently Edited
Back To Black (CD, Album) Island Records Group 172 613 3 Poland 2006
New Submission
Back To Black (CD, Album, Special Edition) Island Records Group 174 130-3 2006

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Reviews

  • murfopolis's avatar
    murfopolis
    Great record by Winehouse but horrible pressing. Muffled vocals, skipping, poor balance of instrumentals.
    • Louis2203's avatar
      Louis2203
      I really like this album. My pressing is great. The only problem is the hole was too tight and the vinyl didn’t fit but that was fixed with a pencil and a tiny bit of sandpaper. Overall really impressed with it, considering I found it in a dollar bin.
      • fraveydank's avatar
        fraveydank
        Not a good pressing, but I'm not sure what I expected from a Target reissue with different cover art in 2021.

        The pink disc is a neat gimmick, but it sounds like it's being played through an AM radio; the highs are extremely muted and the bass is so heavy it distorts in places. I halfway wonder if they forgot to run the RIAA precompensation before cutting this one. I honestly wish they'd just included a code for a digital version with the disc so it could sit there and look pretty and I could listen to a version that sounds right.
        • Bubick's avatar
          Bubick
          Pressing doesn’t sound particularly good to me and jacket is flimsy. Worth the 15 bucks I paid for it at Urban Outfitters.
          • AXSENT22's avatar
            AXSENT22
            Could not have described it better than Mr. Jeffery ..PeaceLove1
            -AX

            • jefferyuniverse's avatar
              jefferyuniverse
              It's really bass heavy at the expense of the other instruments so it's definitely lacking in dynamics. I can understand why people don't particularly care for the US pressings of the album. However, Amy's voice sounds fantastic. My copy is also clear, without any surface noise. If I were more of a stickler for these things, I might be unhappy with it but it's not the worst sounding record in my collection. I'd probably avoid if you're a hardcore audiophile.

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