The Future Sound Of London – Cascade
Label: |
Virgin – 7243 8 92172 2 3 |
---|---|
Format: |
CD
, Single
|
Country: |
UK & Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
1 | Cascade (Part 1) | 7:19 | |
2 | Cascade (Part 2) | 9:08 | |
3 | Cascade (Part 3) | 4:15 | |
4 | Cascade (Part 4) | 4:33 | |
5 | Cascade (Part 5) | 6:12 | |
6 | Cascade (ShortForm) | 4:16 |
Companies, etc.
- Copyright © – EBV
- Pressed By – EMI Swindon
- Published By – Sony Music Publishing
- Recorded At – Earthbeat Studios
Credits
- Engineer [Engineered By] – Yage
- Written-By, Producer [Produced By] – The Future Sound Of London
Notes
Inlay:
Recorded at Earthbeat Studios - London 1993
EBV © 1993
Flap:
Printed in UK
Disc:
Made in UK
_
Catalog numbers:
7243 8 92172 23 on disc
7243 8 92172 2 3 on flap & spine
VSCDT 1478 on spine
UK: VSCDT1478 on flap
VSCDT1478 on disc
Tracks 1 to 4 have incorrect track durations on the release (7:22/9:38/4:24/4:39); corrected above.
Tracks 1 to 5 are segued together into a continuous whole, creating a "longform" single. Track 6 is effectively a radio edit.
Recorded at Earthbeat Studios - London 1993
EBV © 1993
Flap:
Printed in UK
Disc:
Made in UK
_
Catalog numbers:
7243 8 92172 23 on disc
7243 8 92172 2 3 on flap & spine
VSCDT 1478 on spine
UK: VSCDT1478 on flap
VSCDT1478 on disc
Tracks 1 to 4 have incorrect track durations on the release (7:22/9:38/4:24/4:39); corrected above.
Tracks 1 to 5 are segued together into a continuous whole, creating a "longform" single. Track 6 is effectively a radio edit.
Barcode and Other Identifiers
- Barcode: 7 24389 21722 3
- Matrix / Runout (Variant 1): 892172 1:1:1 EMI SWINDON
- Matrix / Runout (Variant 2): 892172 1:1:3 EMI SWINDON
- Matrix / Runout (Variant 3): 892172 1:1:4 EMI SWINDON
- Matrix / Runout (Variant 4): 892172 . 1:1:2 EMI SWINDON
- Matrix / Runout (Variant 5): 892172 . 1 :1:6. EMI SWINDON
- Label Code (D: (on flap)): LC 3098
- Label Code (On disc): LC 3098
- Price Code (F: (on flap)): PM 515
- Price Code (On disc): PM 515
- Rights Society: BIEM STEMRA
Other Versions (5 of 12)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Cascade (12", 33 ⅓ RPM, Single, Stereo, Coloured Labels) | Virgin | VST1478, 7243 8 92172 6 1 | UK & Europe | 1993 | ||
Recently Edited
|
Cascade (CD, Single, Promo) | Virgin | VSCDJ 1478 | UK | 1993 | ||
Recently Edited
|
Cascade (Cassette, Single) | Virgin | VSC 1478 | UK | 1993 | ||
Recently Edited
|
Cascade (12", 33 ⅓ RPM, Single, Plain Sleeve) | Virgin | VST1478, 7243 8 92172 6 1 | UK | 1993 | ||
Recently Edited
|
Cascade (12", 33 ⅓ RPM, Single, Black And White Labels) | Virgin | VST1478, 7243 8 92172 6 1 | UK | 1993 |
Recommendations
Reviews
-
Although I didn't appreciate this at the time (I was 14 years old when it was released, although already loved my electronic stuff) it is now one of my favourite musical pieces of all time. I use this, as well as the "My Kingdom" and "Lifeforms" CD singles, to check out new pieces of HiFi equipment I buy. I just bought some new speakers that I'm breaking in and I'm hearing bits of this that I've never heard before. I didn't think it possible that there were more levels to this piece of musical genius, but I was euphorically surprised. 11/10.
-
15 years on these tracks still astound. Lush yet angular, synthetic yet so organic; the very premise of FSOL seems at odds. FSOL's affinity for wavering chords, sampled voices, and sudden changes in tempo shimmers here: Part 1 slowly develops its groove amidst water droplets and morse code patters, with what sounds like a plucked instrument centering the theme, tablas circling in the background and sampled flute increasing the tension. Part 2 attempts to slow down the tempo while repeating the theme, while Part 3 emerges as totally distinct. The loose sounds floating about in it echo bits of Parts 1-2, but are arranged as brief snatches of their originals. It sounds alien and ambient, as if one is walking on the surface of another planet. Part 4 is the stunning highlight. A much harsher and provocative beat emerges out of soaring synthesizer lines, accompanied by bluesy guitar licks (processed, undoubtedly, to their breaking point). Part 5, like 3, drops much all of the established theme in an attempt to make what seems to be a trance track, with beats that sound like much of their previous efforts. The short-form edit is pretty much a rehash of the previous 4 parts mixed into one over-quickly developing track.
With Cascade, FSOL announced a brand-new way of making their music. While there are dance rhythms embedded in this (and future) album(s), they are secondary to the mindblowing density and attention to detail they develop. The end result of this: further listening reveals new subtleties and joys each time.
Release
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Recently Edited
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