Prodigy* – The Fat Of The Land
Tracklist
| The Fat Of The Land | |||
| 1-1 | Smack My Bitch Up | 5:43 | |
| 1-2 | Breathe | 5:35 | |
| 1-3 | Diesel Power | 4:18 | |
| 1-4 | Funky Shit | 5:16 | |
| 1-5 | Serial Thrilla | 5:11 | |
| 1-6 | Mindfields | 5:40 | |
| 1-7 | Narayan | 9:06 | |
| 1-8 | Firestarter | 4:40 | |
| 1-9 | Climbatize | 6:38 | |
| 1-10 | Fuel My Fire | 4:19 | |
| The Added Fat EP | |||
| 2-1 | Smack My Bitch Up (Noisia Remix) | 5:53 | |
| 2-2 | Firestarter (Alvin Risk Remix) | 3:18 | |
| 2-3 | Breathe (Zeds Dead Remix) | 4:36 | |
| 2-4 | Mindfields (Baauer Remix) | 3:51 | |
| 2-5 | Breathe (The Glitch Mob Remix) | 4:25 | |
| 2-6 | Smack My Bitch Up (Major Lazer Remix) | 5:05 |
Companies, etc.
- Phonographic Copyright ℗ – XL Recordings Ltd.
- Copyright © – XL Recordings Ltd.
- Manufactured By – Arvato Digital Services – 50528303
- Manufactured By – Arvato Digital Services – 55308388
- Remixed At – De Noisia Kantoor Mark II
- Produced At – De Noisia Kantoor Mark II
- Produced At – Earthbound Studios
- Mixed At – Earthbound Studios
- Recorded At – Strongroom
- Published By – EMI Virgin Music Ltd.
- Published By – Next Plateau Music Inc.
- Published By – Beats G Music
- Published By – EMI Music Ltd.
- Published By – MCA Music
- Published By – Momentum Music Ltd.
- Published By – PolyGram Music
- Published By – Chrysalis Music Publishing
- Published By – Hit & Run Music (Publishing) Ltd.
- Published By – Perfect Songs
- Published By – Zomba Music
- Published By – Drop Trou Tunes
- Published By – Zomba Songs Inc.
- Published By – Shock Music Publishing (Australia) Pty. Ltd.
- Published By – Zomba Music Publishers Ltd.
- Licensed From – Capitol Records
- Published By – Vintertainment Enterprises
- Licensed From – Universal Music Special Markets, Inc.
- Published By – EMI Gold Horizon Music
- Licensed From – ZTT Records Ltd.
- Published By – Northcott Music
- Published By – International Music Network
Credits
- Art Direction – Liam Howlett
- Design – Alex Jenkins
- Guitar [Live Guitarrz] – Gizz Butt*
- Illustration [Band] – Jake (31)
- Photography By [Ant] – Terry Whittaker
- Photography By [Band, Train And Equipment] – Pat Pope
- Photography By [Front Cover] – Silvestris
- Photography By [Inside Traycard] – Lou Smith
- Photography By [Live Shots] – Pat Pope
- Photography By [Truck And Background] – Alex Jenkins
- Producer, Mixed By – L. Howlett*
- Recorded By [Vocals] – Neil McLellan
Notes
15th Anniversary Edition Double CD (on sticker).
Expanded Edition (on spines).
Comes in double jewel case inside a cardboard slip case.
Track 1-1: Published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL-Recordings Ltd.
Track 1-2: Published by EMI Virgin Music Ltd/EMI Music Ltd/MCA Music. ℗ 1996 XL-Recordings Ltd.
Track 1-3: Published by EMI Virgin Music Ltd/Momentum Music Ltd. ℗ 1997 XL-Recordings Ltd.
Track 1-4: Published by EMI Virgin Music Ltd/Polygram Music. ℗ 1997 XL-Recordings Ltd.
Track 1-5: Published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL-Recordings Ltd.
Track 1-6: Published by EMI Virgin Music Ltd. ℗ 1997 XL-Recordings Ltd.
Track 1-7: Published by EMI Virgin Music Ltd/Hit And Run Music Publishing Ltd. ℗ 1997 XL-Recordings Ltd. Crispian Mills appears courtesy of Columbia Records Ltd.
Track 1-8: Published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL-Recordings Ltd.
Track 1-9: Published by EMI Virgin Music Ltd. ℗ 1997 XL-Recordings Ltd.
Track 1-10: Published in the USA: by Drop Trou Tunes. istered by Zomba Songs Inc (BMI)/Shock Music Publishing Australia. Rest of world: by Zomba Music Publishers Ltd/Shock Music Publishing Australia. ℗ 1997 XL-Recordings Ltd. Saffron appears courtesy of Deconstruction/BMG Entertainment International UK and Ireland Ltd.
All tracks produced and mixed at Earthbound. Vocals on tracks 1, 2, 7 and 8 recorded at Strongroom.
This album: CD1 ℗ 1996/7 XL-Recordings Ltd. © 1997 XL-Recordings Ltd.
CD2 ℗ 2012 XL-Recordings Ltd. © 2012 XL-Recordings Ltd.
Made in England.
Track 1-1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Breakdown" used courtesy of Next Plateau Records.
Track 1-4 excerpts from "Root Down" used under licence from Capitol Records, a division of Capitol Records Inc. Sample from "2-3 Break" by the B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan. Used courtesy of MCA Records, Inc. Under licence from Universal Music Special Markets Inc. Published by EMI Gold Horizon Music.
Track 1-5 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
Track 1-8 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products), "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
Track 1-9 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music istered by International Music Network.
Thanks to:
Richard Russell, Alex Jenkins and all at XL-Recordings and Beggars Banquet, John Fairs and Interactive, Mike Champion and Stuart Bishop at MIDI Management, Nick Halkes, Louie Parker and all at Concorde, Simon Moran, Maria Forte and EMI/Virgin Music, Paul Spraggon, David Clarke and Karen, Martin Roach, Mark Reynolds and Mad Dog, Walter Stern and John Payne, Kris Needs, Jim Davies (Dead Mans Pants), Jerry Gerard, Morat, Pat Pope, Steve Gullick, Jake (Cartoon), Kieran (Real TV), Mark from Soundgarden for Drums, Kool Keith, Kutmasta Kurt, Angus Batey, Neil McLellan and all at Strongroom, Nick Goldsmith, Alex Garland, Jen Wening, Eddie O’Loughlin, Sharon Lindsey and Ange, Crew: Phil, Nick, Mac, Joe. For The Breaks: Ian Wells, Neil (Southend), Heavy G (Australia), Shure, Marshall, AKG, Alesis, Roland Mackie.
Track 2-1: Remix and Additional Production done at De Noisia Kantoor II, Groningen, Holland. Special thanks to Jim Pavloff.
Artwork Credits:
Front Cover Photography: Courtesy of FLPA-Images Of Nature. Ant Photography: Courtesy of FLPA-Images Of Nature. The 'A' symbol is used by kind permission of Seddon Atkinson Vehicles Ltd.
Expanded Edition (on spines).
Comes in double jewel case inside a cardboard slip case.
Track 1-1: Published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL-Recordings Ltd.
Track 1-2: Published by EMI Virgin Music Ltd/EMI Music Ltd/MCA Music. ℗ 1996 XL-Recordings Ltd.
Track 1-3: Published by EMI Virgin Music Ltd/Momentum Music Ltd. ℗ 1997 XL-Recordings Ltd.
Track 1-4: Published by EMI Virgin Music Ltd/Polygram Music. ℗ 1997 XL-Recordings Ltd.
Track 1-5: Published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL-Recordings Ltd.
Track 1-6: Published by EMI Virgin Music Ltd. ℗ 1997 XL-Recordings Ltd.
Track 1-7: Published by EMI Virgin Music Ltd/Hit And Run Music Publishing Ltd. ℗ 1997 XL-Recordings Ltd. Crispian Mills appears courtesy of Columbia Records Ltd.
Track 1-8: Published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL-Recordings Ltd.
Track 1-9: Published by EMI Virgin Music Ltd. ℗ 1997 XL-Recordings Ltd.
Track 1-10: Published in the USA: by Drop Trou Tunes. istered by Zomba Songs Inc (BMI)/Shock Music Publishing Australia. Rest of world: by Zomba Music Publishers Ltd/Shock Music Publishing Australia. ℗ 1997 XL-Recordings Ltd. Saffron appears courtesy of Deconstruction/BMG Entertainment International UK and Ireland Ltd.
All tracks produced and mixed at Earthbound. Vocals on tracks 1, 2, 7 and 8 recorded at Strongroom.
This album: CD1 ℗ 1996/7 XL-Recordings Ltd. © 1997 XL-Recordings Ltd.
CD2 ℗ 2012 XL-Recordings Ltd. © 2012 XL-Recordings Ltd.
Made in England.
Track 1-1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Breakdown" used courtesy of Next Plateau Records.
Track 1-4 excerpts from "Root Down" used under licence from Capitol Records, a division of Capitol Records Inc. Sample from "2-3 Break" by the B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan. Used courtesy of MCA Records, Inc. Under licence from Universal Music Special Markets Inc. Published by EMI Gold Horizon Music.
Track 1-5 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
Track 1-8 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products), "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
Track 1-9 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music istered by International Music Network.
Thanks to:
Richard Russell, Alex Jenkins and all at XL-Recordings and Beggars Banquet, John Fairs and Interactive, Mike Champion and Stuart Bishop at MIDI Management, Nick Halkes, Louie Parker and all at Concorde, Simon Moran, Maria Forte and EMI/Virgin Music, Paul Spraggon, David Clarke and Karen, Martin Roach, Mark Reynolds and Mad Dog, Walter Stern and John Payne, Kris Needs, Jim Davies (Dead Mans Pants), Jerry Gerard, Morat, Pat Pope, Steve Gullick, Jake (Cartoon), Kieran (Real TV), Mark from Soundgarden for Drums, Kool Keith, Kutmasta Kurt, Angus Batey, Neil McLellan and all at Strongroom, Nick Goldsmith, Alex Garland, Jen Wening, Eddie O’Loughlin, Sharon Lindsey and Ange, Crew: Phil, Nick, Mac, Joe. For The Breaks: Ian Wells, Neil (Southend), Heavy G (Australia), Shure, Marshall, AKG, Alesis, Roland Mackie.
Track 2-1: Remix and Additional Production done at De Noisia Kantoor II, Groningen, Holland. Special thanks to Jim Pavloff.
Artwork Credits:
Front Cover Photography: Courtesy of FLPA-Images Of Nature. Ant Photography: Courtesy of FLPA-Images Of Nature. The 'A' symbol is used by kind permission of Seddon Atkinson Vehicles Ltd.
Barcode and Other Identifiers
- Barcode (Printed): 6 34904 05862 3
- Barcode (Scanned): 634904058623
- Label Code: LC 05667
- Matrix / Runout (CD1): (arvato digital services BERTELSMANN logo) 50528303/XLCD121 21
- Mastering SID Code (CD1): IFPI LP 73
- Mould SID Code (CD1, variant 1): IFPI 0796
- Mould SID Code (CD1, variant 2): IFPI 0711
- Matrix / Runout (CD2): (arvato digital services BERTELSMANN logo) 55308388/XLCD586 21
- Mastering SID Code (CD2): IFPI LB47
- Mould SID Code (CD2, mirrored): IFPI 0716
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 341)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Fat Of The Land (CD, Album, Nimbus Pressing) | XL Recordings | XLCD 121 | UK | 1997 | |||
| The Fat Of The Land (CD, Album) | XL Recordings | XL/INT 4 84465 2, 7243 4 84465 2 7 | 1997 | ||||
| The Fat Of The Land (2×LP, Album) | XL Recordings | XLLP 121 | UK | 1997 | |||
| The Fat Of The Land (Cassette, Album) | XL Recordings | XLMC 121 | UK | 1997 | |||
| The Fat Of The Land (CD, Album) | Avex Trax | AVTCD-95066 | Hong Kong | 1997 |
Recommendations
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2008 UK & EuropeCD —Album, Reissue, Remastered -
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Reviews
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Edited 6 months agoA genre bending album if ever there was one. The Fat Of The Land effortlessly blends techno, metal, electronica and industrial with ease. Too few albums like this in the world. The extra CD of remixes were...okay. Like previous reviewers, I would have liked seeing some harder to find remixes from various OOP singles and other rarities. As it is, still an excellent album that's in my Top 10. -
IMHO this is actually great expanded release, but 2nd CD should not be The Added Fat EP. 2nd CD could have some other mixes and versions of the tracks and singles from this album like "Firestarter (Empirion Mix)", "Smack My Bitch Up (DJ Hype Remix)" or even "Mindfields (Monkey Mafia Mix)" and many others. Otherwise, as The Prodigy fan, I would recommend this release only if you are fan of expanded albums, but I normally would recommend the original edition of the album. -
Such a shame even this doesn't includes the Monkey Mafia's "Minefields" or Dirtchamber's "Diesel Power".Wouldn't touch the "Added" CD with a barge pole. -
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