Tracklist
Une Nuit A Paris | (8:39) | ||
|
One Night In Paris | ||
|
The Same Night In Paris | ||
|
Later The Same Night In Paris | ||
A2 | I'm Not In Love | 6:04 | |
A3 | Blackmail | 4:55 | |
B1 | The Second Sitting For The Last Supper | 4:23 | |
B2 | Brand New Day | 4:03 | |
B3 | Flying Junk | 4:10 | |
B4 | Life Is A Minestrone | 4:30 | |
B5 | The Film Of My Love | 5:03 |
Companies, etc.
- Manufactured By – Phonogram, Inc.
- Distributed By – Phonogram, Inc.
- Recorded At – Strawberry Studios
- Mastered At – I.B.C. Studios
- Published By – Man-Ken Music Ltd.
- Phonographic Copyright ℗ – Phonogram, Inc.
- Copyright © – Phonogram, Inc.
- Pressed By – Columbia Records Pressing Plant, Pitman
- Record Company – PolyGram
Credits
- Band [10 cc are] – Lol Creme
- Design [Sleeve Design], Photography By [Photograph] – Hipgnosis (2)
- Engineer [Engineered By], Mixed By – Eric Stewart
- Illustration [Pencil Drawings] – Humphrey Ocean
- Lacquer Cut By – Mely*
- Mastered By [Master Cut] – Melvyn Abrahams
- Producer [Produced and], Recorded By – 10cc
Notes
Columbia Records Pressing Plant, Pitman pressing denoted by "" etch in runouts and P stamped in runouts.
Issued with lyric/credit cut sheet.
--RUNOUT VARIATION: Runout signature "MELY" indicates lacquers cut by Gilbert Kong.
--LABEL VARIATION: Labels credit can be found here.
Printed in U.S.A.
Produced & Recorded by Strawberry Studios (UK) Ltd. Stockport, Cheshire, England.
Master Cut: I.B.C. Studios, London.
All selections published by Man-Ken Music Ltd. (BMI)
℗, © 1975 Phonogram, Inc.
Also available on Musicassette and Stereo 8 Track Tape -- MCR-4-1-1029 -- MC-8-1-1029
All lyrics © 1975 Man-Ken Music Ltd. (BMI)
Issued with lyric/credit cut sheet.
--RUNOUT VARIATION: Runout signature "MELY" indicates lacquers cut by Gilbert Kong.
--LABEL VARIATION: Labels credit can be found here.
Printed in U.S.A.
Produced & Recorded by Strawberry Studios (UK) Ltd. Stockport, Cheshire, England.
Master Cut: I.B.C. Studios, London.
All selections published by Man-Ken Music Ltd. (BMI)
℗, © 1975 Phonogram, Inc.
Also available on Musicassette and Stereo 8 Track Tape -- MCR-4-1-1029 -- MC-8-1-1029
All lyrics © 1975 Man-Ken Music Ltd. (BMI)
Barcode and Other Identifiers
- Rights Society: BMI
- Price Code (On spine): 0598
- Pressing Plant ID (Stamped In runout): P
- Pressing Plant ID (Etched in runout):
- Matrix / Runout (Side A label): SRM-1-1029 A
- Matrix / Runout (Side B label): SRM-1-1029 B
- Matrix / Runout (Side A runout, variant 1): SRM-1-1029-A4- MELY
- Matrix / Runout (Side B runout, variant 1): SRM-1-1029-B3 MELY
- Matrix / Runout (Side A runout variant 2): SRM-1-1029-A4- MELY
- Matrix / Runout (Side B runout, variant 2): SRM-1-1029-B4- MELY
- Matrix / Runout (Side A runout, variant 3): SRM-1-1029-A4- S MELY P
- Matrix / Runout (Side B runout, variant 3): SRM-1-1029-B3 MELY P
- Matrix / Runout (Side A runout, variant 4): SRM-1-1029-A-5 PB MELY S
- Matrix / Runout (Side B runout, variant 4): SRM-1-1029-B4- MELY
- Matrix / Runout (Side A runout, variant 5): P SRM-1-1029-A4 1A MELY
- Matrix / Runout (Side B runout, variant 5): P SRM-1-1029-B4 MELY 1C
Other Versions (5 of 152)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
The Original Soundtrack (LP, Album, Stereo, Gatefold) | Mercury | 9102 500 | 1975 | |||
Recently Edited
|
The Original Soundtrack (LP, Album, Stereo, Gatefold) | Mercury | 9102 500 | UK | 1975 | ||
The Original Soundtrack (LP, Album, Stereo, Terre Haute Pressing, Gatefold) | Mercury | SRM-1-1029 | US | 1975 | |||
Recently Edited
|
The Original Soundtrack (LP, Album, Gatefold) | Philips | 9102 500, 9102-500 | Canada | 1975 | ||
Recently Edited
|
The Original Soundtrack (LP, Album) | Mercury | 6310 500 | Netherlands | 1975 |
Recommendations
Reviews
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Of course, "I'm not in love" is the big hit, but the rest of 10cc's The Original Soundtrack, while certainly more obscure, is an adventure in eclectic soundscapes. The quality of this 1975 pressing is surprisingly good, and the mastering is clean and clear. Many of the tracks feature highs that are recorded with a great deal of clarity which I found quite pleasant. While I doubt The Original Soundtrack is going to be everyone's cup of tea, I found it to be fun and weirdly enjoyable.
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Probably the biggest problems, if one can call it a problem is that there were no less then two really strong writing teams within the ranks of 10CC ... those being Kevin Godley and Lol Creme [and] Eric Stewart and Graham Gouldman. The first half of the team took a very artsy, and as I said, cinematic view of the music, while latter were more straight forward in their approach to pop music. Non of these people could be considered a ‘flash in the pan’ in any manner ... Eric Stewart had been a member and writer for Wayne Fontana & The Mindbenders and had a super hit with “The Game Of Love,” “A Groovy Kind Of Love” and several other songs. Gouldman succeeded in knocking out the world by writing both “For Your Love” and “Heart Full Of Soul” for the Yardbirds [ Eric Claption and Jimmy Page], the songs “Bus Stop” and “Look Through Any Window” for The Hollies [and of course you Graham Nash from CS&N] and he even wrote two hits for the group Herman’s Hermits. They were also part of, if I may put it this way, a music factory, who turned out one hit after bubble gum and pop hit after another. The point being, that individually, these guys had tremendous street credits, all it took was for them to merge their talents and take the world by storm.
The stage has been set, the chemistry is perfect, and the timing leaves nothing to be desired ... “The Original Soundtrack” is a brilliantly fun album and sets the stage for nearly all of the work by 10 CC.
The group leaves nothing to chance, considerations have been weighed and judgments ed ... and with that amount of effort how could they possibly not have a success. I have been accused of being an elitist because I dig 10 CC, and I’m not going to tell you that there is not a certain amount of acquired taste ... but if there is any wait at all in your musical decision, and you come to love this band as much as I, it will all have been worth your while.
Review by Jenell Kesler
Release
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