Trio* – Blowin' The Blues Away
Tracklist
A1 | Blowin' The Blues Away | |
A2 | The St. Vitus Dance | |
A3 | Break City | |
A4 | Peace | |
B1 | Sister Sadie | |
B2 | The Baghdad Blues | |
B3 | Melancholy Mood (New Version) |
Companies, etc.
- Record Company – Universal Music
- Record Company – Universal International Music B.V.
- Record Company – Capitol Records, LLC
- Record Company – Blue Note Records Inc.
- Phonographic Copyright ℗ – Blue Note Records
- Copyright © – Blue Note Records
- Distributed By – Universal Music Distribution
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Optimal Media GmbH – BN93754
Credits
- Bass – Eugene Taylor
- Cover [Cover Design] – Reid Miles
- Cover [Cover Drawing By] – Paula Donohue
- Drums – Louis Hayes
- Lacquer Cut By – KPG*
- Liner Notes – Ira Gitler
- Mastered By [LP Mastering] – Kevin Gray
- Piano – Horace Silver
- Recorded By [Recording By] – Rudy Van Gelder
- Tenor Saxophone – Junior Cook (tracks: A1, A3 to B2)
- Trumpet – Blue Mitchell (tracks: A1, A3 to B2)
- Written-By – Silver*
Notes
A1, B2 (quintet) recorded Aug. 29, 1959
A3, A4, B1 (quintet) recorded Aug. 30, 1959
A2, B3 (trio) recorded Sept. 13, 1959
[On rear sleeve]
A Blue Note Records release; Originally released in 1959 on Blue Note Records
© 2023 Capitol Records, LLC., Universal International Music B.V.
Blue Note® is a ed trademark of Capitol Records, LLC.
Made in the E.U.
[On hype sticker]
Mastered from the original analog tapes by Kevin Gray at Cohearent Audio
[Rear sticker on shrinkwrap]
Made in
Runouts are etched, pressing plant's plating marks (for example "1ᐱ") are mirrored and possibly upside down, compared to the rest of the string.
A3, A4, B1 (quintet) recorded Aug. 30, 1959
A2, B3 (trio) recorded Sept. 13, 1959
[On rear sleeve]
A Blue Note Records release; Originally released in 1959 on Blue Note Records
© 2023 Capitol Records, LLC., Universal International Music B.V.
Blue Note® is a ed trademark of Capitol Records, LLC.
Made in the E.U.
[On hype sticker]
Mastered from the original analog tapes by Kevin Gray at Cohearent Audio
[Rear sticker on shrinkwrap]
Made in
Runouts are etched, pressing plant's plating marks (for example "1ᐱ") are mirrored and possibly upside down, compared to the rest of the string.
Barcode and Other Identifiers
- Barcode (Printed): 6 02455 23658 6
- Barcode (Scanned, UPC-A): 602455236586
- Label Code: LC00133
- Rights Society: BIEM/SDRM
- Matrix / Runout (A-side label): BNST 84017-A
- Matrix / Runout (B-side label): BNST 84017-B
- Matrix / Runout (A-side runout, variant 1): BN93754-01 A1 5523658 1= 006024 5523658 6-A KPG@CA
- Matrix / Runout (B-side runout, variant 1): BN93754-01 B1 1= 006024 5523658 6-B KPG@CA 5523658
- Matrix / Runout (A-side runout, variant 2): BN93754-01 A1 5523658 006024 5523658 6-A KPG@CA 1ᐱ
- Matrix / Runout (B-side runout, variant 2): BN93754-01 B1 006024 5523658 6-B 1ᐱ KPG@CA 5523658
Other Versions (5 of 78)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Blowin' The Blues Away (LP, Album, Mono, Deep Groove) | Blue Note | 4017, BLP 4017 | US | 1959 | |||
Blowin' The Blues Away (LP, Album, Stereo) | Blue Note | BST 84017, ST-84017, 84017 | US | 1959 | |||
New Submission
|
Blowin' The Blues Away (LP, Album, Mono, Microgroove) | Blue Note | BLP 4017 | US | 1959 | ||
New Submission
|
Blowin' The Blues Away (LP, Album, Stereo) | Blue Note | BST 84017, ST-84017, 84017 | US | 1960 | ||
New Submission
|
Blowin' The Blues Away (LP, Album, Repress, Mono, Microgroove) | Blue Note | BLP 4017 | US | 1961 |
Recommendations
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2021 WorldwideVinyl —LP, Album, Reissue, Stereo
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Reviews
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Edited 10 months agoInitial panic turned to satisfaction. Some visible non fills turned out to be inaudible and my copy plays flat and true. It sounds lively and lovely!
I already knew it would as i bought the BN85th UHQCD first and thats awesome -
Edited one year agoAnyone compared this to 75 anniversary edition ? I'm happy with that 2015 edition, is it an important upgrade in sound here ?
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This is what a record should be. Reasonably priced. Flat. Centred. Sounds incredible. Thank you blue note.
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Edited one year agoFor me Horace Silver is Blue Note’s “Mr Reliable”. You can always be pretty sure of what you’re going to get on a 60’s Silver recording - swinging and melodic hard bop with no pretension- and this one is more of the same with that vintage RVG Blue Note sound.
This is one of the flatter records I’ve received in a while from the BNC series - not even a slight warp. Didn’t notice any undue surface noise apart from maybe one or two momentary instances - and that was listening through very revealing high quality headphones - so all in all if you’re a Horace Silver fan then this a no brainer. -
Edited one year agoAn absolute swinger of a session, some fiery performances by Sir Silver & Co. I'm a fan of Blue Mitchell and this is one of his best sideman contributions. He pairs well with Junior's tenor.
Highlights are "Blowin' The Blues Away", "Sister Sadie", and the ever lovely "Peace". There isn't a weak track on this album, period.
A very nice pressing, after a few rough releases from BN Classic series. They have fixed the overly tight inner sleeves which is a welcome improvement. Vinyl was perfectly clean out of the wrapper. There is a slight rumble present in the space between tracks.
4.25 stars. This baby bops hard. -
Very good. This is my fave Silver so I've got a bunch of different pressings including an OG, the AP 45, the '83 King and the '85 Toshiba. I think like a lot of these BNCs there's a bit of this boost somewhere I can't quite put my finger on but it's very distinct. Maybe somewhere around 4k? Bottom line is that this is very well done but no match for the '83 King or '85 Toshiba, IMO. The AP 45 is kind of a different beast. Very warm and full sound with great piano tone. Just drop dead great piano sound for a RVG recording. Probably worked on a bit by rolling off some top and working on the mids like many of those Hoffman/Gray 45s. This new BNC is more "alive" and has that added "presence" that seems to be trending a lot with reissues these days. Not sure it's necessary but this is a minor quibble. Overall just an excellent reissue.
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I have to add my positive comments on this Blue Note Classic reissue. A perfect pressing from Optimal, eerily quiet, flat and centred. The sound quality, as others have noted, is top drawer too. Highly recommended!
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OK, I'm not sure why they didn't, but this album deserves the Tone Poet treatment. This session is well recorded and I would of love a better cover with session photos. You can never go wrong with Silver's '50's & '60's work. It all exceptional (IMHO).
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This one sounds fantastic, even compared to other BN Classics. Excellent job on this stereo remaster. Wasn't expecting it to be this great. Underrated classic that is Tier 1 Blue Note.
Release
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