Miles Davis – Volume 1
Tracklist
A1 | Tempus Fugit | |
A2 | Kelo | |
A3 | Enigma | |
A4 | Ray's Idea | |
A5 | How Deep Is The Ocean | |
A6 | C.T.A. (Alternate Master) | |
B1 | Dear Old Stockholm | |
B2 | Chance It | |
B3 | Yesterdays | |
B4 | Donna (Alternate Master) | |
B5 | C.T.A. | |
B6 | Would'n You (Alternate Master) |
Companies, etc.
- Recorded At – WOR Studios
- Record Company – Blue Note Records
Credits
- Alto Saxophone – Jackie McLean (tracks: A5, B1 to B4, B6)
- Bass – Percy Heath (tracks: A1 to A4, A6, B5)
- Design [Cover] – Miles*
- Drums – Kenny Clarke (tracks: A5, B1 to B4, B6)
- Lacquer Cut By – RVG*
- Liner Notes – Leonard Feather
- Photography By [Cover Photo] – Francis Wolff
- Piano – Gil Coggins
- Producer – Alfred Lion
- Remastered By – Rudy Van Gelder
- Tenor Saxophone – Jimmy Heath (tracks: A1 to A4, A6, B5)
- Trombone – Jay Jay Johnson*
- Trumpet – Miles Davis
Notes
Mono reissue with "NEW YORK USA" and Liberty labels and "9M" on side 2 only, but with no P/"ear" stamp in runouts, indicating pressing after the 1966 sale of Blue Note to Liberty, using a leftover label printed before the sale and as well an old lacquer possibly dated 1958-59 (9M that disappeared in 1959, stamped RVG which started to be used in 1958 and -1 on both sides).
The Miles Davis - Volume 1, which feature the same -1 inscribed in the runouts with stamped RVG on both sides.
I never came across a "Σ" in the runout on these Blue Note pressings, looks like a "Σ" but I cannot exclude the option that it's a rotated "M" which anyway is unusual.
The Liberty label is a Keystone one (well formed ®, reflex blue, small title above the artist name in large capital letters, "Side 1" with only the first cap).
No deep groove on either side. No mention of Liberty on sleeve but original Lexington address on rear slick.
The inner sleeve is dated Jul-Nov 1966 by the London Jazz Collector.
Recorded on May 9, 1952 (tracks A5, B1, B2, B3, B4, B6) and on April 20, 1953 (tracks A1, A2, A3, A4, A6, B5).
The Miles Davis - Volume 1, which feature the same -1 inscribed in the runouts with stamped RVG on both sides.
I never came across a "Σ" in the runout on these Blue Note pressings, looks like a "Σ" but I cannot exclude the option that it's a rotated "M" which anyway is unusual.
The Liberty label is a Keystone one (well formed ®, reflex blue, small title above the artist name in large capital letters, "Side 1" with only the first cap).
No deep groove on either side. No mention of Liberty on sleeve but original Lexington address on rear slick.
The inner sleeve is dated Jul-Nov 1966 by the London Jazz Collector.
Recorded on May 9, 1952 (tracks A5, B1, B2, B3, B4, B6) and on April 20, 1953 (tracks A1, A2, A3, A4, A6, B5).
Barcode and Other Identifiers
- Matrix / Runout (Side A, etched / RVG stamped): BN-LP1501-A-1 Σ RVG
- Matrix / Runout (Side B, etched / RVG stamped): BN-LP1501-B-1 Σ 9M RVG
Other Versions (5 of 101)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Volume 1 (LP, Compilation, Mono, Lexington) | Blue Note | BLP 1501 | US | 1955 | ||
New Submission
|
Volume 1 (LP, Compilation, Remastered, Test Pressing, Mono) | Blue Note | BLP 1501 | US | 1955 | ||
New Submission
|
Volume 1 (LP, Compilation, Mono, Reissue, Remastered) | Blue Note | BLP 1501 | US | 1958 | ||
Recently Edited
|
Volume 1 (LP, Compilation, Reissue, Remastered, Mono) | Blue Note | BLP 1501, 1501 | US | 1958 | ||
New Submission
|
Volume 1 (LP, Compilation, Reissue, Remastered, Mono) | Blue Note | BLP 1501, 1501 | US | 1958 |
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