Rupert Hine – Immunity
Label: |
A&M Records – AMLH 68519 |
|---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
New Wave |
Tracklist
| A1 | I Hang On To My Vertigo | 4:40 | |
| A2 | Misplaced Love | 4:14 | |
| A3 | Samsara | 5:15 | |
| A4 | Surface Tension | 4:19 | |
| A5 | I Think A Man Will Hang Soon | 4:17 | |
| B1 | Immunity | 3:53 | |
| B2 | Another Stranger | 4:49 | |
| B3 | Psycho Surrender | 4:20 | |
| B4 | Make A Wish | 5:42 |
Companies, etc.
- Phonographic Copyright ℗ – A&M Records Ltd.
- Published By – Rondor Music
- Published By – Petaluma Ink.
- Published By – Essex Music International Ltd.
- Produced At – Farmyard Studios
- Lacquer Cut At – Pye Studios
Credits
- Guitar – Phil Palmer
- Lacquer Cut By – Tone*
- Lyrics By – Jeannette-Thérèse Obstoj
- Music By, Arranged By – Rupert Hine
- Producer, Engineer, Mixed By – Stephen W. Tayler
- Producer, Performer – Rupert Hine
Barcode and Other Identifiers
- Rights Society: MS/BIEM
- Matrix / Runout (Side 1:): AMLH-68519-A2 tone
- Matrix / Runout (Side 2:): AMLH-68519-B2 tone-pye
Other Versions (5 of 23)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Immunity (LP, Album, Stereo, Terre Haute Pressing) | A&M Records | SP-4858 | US | 1981 | ||
|
Recently Edited
|
Immunity (LP, Album, Stereo) | A&M Records | AMLH 68519 | Europe | 1981 | ||
|
New Submission
|
Immunity (LP, Album) | A&M Records | SP 4858 | Canada | 1981 | ||
|
New Submission
|
Immunity (LP, Album) | A&M Records | L 37572 | Australia | 1981 | ||
|
New Submission
|
Immunity (LP, Album) | A&M Records | L 37572 | New Zealand | 1981 |
Recommendations
Reviews
-
This album made no sense in 1981 when I bought it. Many years later, it still makes no sense, and how I love it so.
Lyrically a fantasy, with music that stays descriptive of the moment, it is a novel in an album.
One for the traveller who like the path less trodden.
enjoy. -
-
This album actually changed my life. It gave me a new insight into how music could sound, and removed a lot of inhibitions. If I had to melt my entire record collection and keep three albums this would be the number one keeper.
It is fantastic in several ways. The tone of the lyrics, the fantastic use of synthesizers (which Hine deliberately "overloaded" by feeding them strange input to get interesting output, one example is a sample of a knife tapping glass) and the avoidance of drums on many tracks. This was a completely new way of creating "pop" music and it is unsured. This album can still, decades later, make me weep.
I pity all who miss out on this.
Note: the info on "tampering" with the synthesizer inputs comes from an interview in swedish Hi-Fi & Musik Magazine.
Release
See all versions
Recently Edited
Recently Edited
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