Telefon Tel Aviv – Map Of What Is Effortless
Label: |
Hefty Records – HEFTY042 |
---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Downtempo |
Tracklist
1 | When It Happens It Moves All By Itself | 3:28 | |
2 | I Lied | 5:53 | |
3 | My Week Beats Your Year | 4:09 | |
4 | Bubble And Spike | 3:59 | |
5 | Map Of What Is Effortless | 5:23 | |
6 | Nothing Is Worth Losing That | 5:07 | |
7 | What It Is Without The Hand That Wields It | 6:15 | |
8 | What It Was Will Never Again | 4:16 | |
9 | At The Edge Of The World You Will Still Float | 6:45 |
Companies, etc.
- Phonographic Copyright ℗ – Hefty Records
- Copyright © – Hefty Records
- Published By – Benellisound
- Published By – Man With The Mule
- Mastered At – Bernie Grundman Mastering
- Manufactured By – www.cdforge.com
- Glass Mastered At – Optidisc Solutions – 372208
Credits
- Arranged By [String Arrangements], Conductor [Conducted By] – Joshua Eustis (tracks: 1, 2, 5, 7, 9)
- Guitar, Bass, Electric Piano [Rhodes, Wurlitzer], Synthesizer [Moog], Sound Designer [Sound Design], Edited By [Editing], Percussion, Handclaps [Claps], Drums – Joshua Eustis
- Guitar, Bass, Electric Piano [Rhodes], Sound Designer [Sound Design], Edited By [Editing], Keyboards [Nord], Handclaps [Claps], Finger Snaps [Snaps], Percussion, Programmed By [Programming] – Charles Cooper
- Management – JC Gabel
- Management [For] – Stop Smiling
- Mastered By – Brian "Big Bass" Gardner*
- Performer [Loyola University Chamber Orchestra], Bass [String Bass] – Esteban Rojas-Orozco (tracks: 1, 2, 5, 7, 9)
- Performer [Loyola University Chamber Orchestra], Cello – Sarah Lopes (tracks: 1, 2, 5, 7, 9)
- Performer [Loyola University Chamber Orchestra], Cello [Principle Player] – Casey Buck (2) (tracks: 1, 2, 5, 7, 9)
- Performer [Loyola University Chamber Orchestra], Viola – Sofia Velazquez (tracks: 1, 2, 5, 7, 9)
- Performer [Loyola University Chamber Orchestra], Viola [Principle Player] – Katie King (5) (tracks: 1, 2, 5, 7, 9)
- Performer [Loyola University Chamber Orchestra], Violin – Tessa Copping (2) (tracks: 1, 2, 5, 7, 9)
- Performer [Loyola University Chamber Orchestra], Violin [Principle Player] – John Vajner (tracks: 1, 2, 5, 7, 9)
- Producer [Produced By] – Telefon Tel Aviv
- Recorded By [Orchestra] – Charles Cooper
- Recorded By [Orchestra, Assisted By] – Vahan Baladouni
- Recorded By [Orchestra, Documented By] – Chris Brown (110)
Notes
Publishing benellisound (ASCAP)/man with the mule (ASCAP)
℗ © 2004 Hefty Records
℗ © 2004 Hefty Records
Barcode and Other Identifiers
- Barcode (Text): 608401004223
- Rights Society: ASCAP
- Matrix / Runout (Variant 1): WWW.CDFORGE.COM HFT42PRO 372208 D3
- Mastering SID Code (Variant 1): IFPI LM26
- Mould SID Code (Variant 1): IFPI KN06
- Matrix / Runout (Variant 2): WWW.CDFORGE.COM HFT42PRO 372208 D3
- Mastering SID Code (Variant 2): IFPI LM26
- Mould SID Code (Variant 2): IFPI KN13
- Matrix / Runout (Variant 3): WWW.CDFORGE.COM HFT42PRO 372208 D3
- Mastering SID Code (Variant 3): IFPI LM26
- Mould SID Code (Variant 3): IFPI KN04
Other Versions (5 of 9)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Map Of What Is Effortless (2×12", Album, Gatefold) | Hefty Records | HEFTY 042 | US | 2004 | ||
Recently Edited
|
Map Of What Is Effortless (CD, Album) | Victor | VI-62748 | Japan | 2004 | ||
New Submission
|
Map Of What Is Effortless (CD, Album, Promo) | Hefty Records | HEFTY42 | US | 2004 | ||
New Submission
|
Map Of What Is Effortless (CDr, Promo) | Hefty Records | HEFTY42 | US | 2004 | ||
New Submission
|
Map Of What Is Effortless (12×File, MP3, Album, 320 kbps) | Ghostly International | GI293, GI 293DIG1 | US | 2014 |
Recommendations
Reviews
-
Telefon Tel Aviv’s second album, MAP OF WHAT IS EFFORTLESS, sees them going bigger, starting off with the orchestral density of “When It Happens It Moves All by Itself,” though their rhythmic intensity hasn’t abated in the least. Vocal textures also make an appearance, hinting at the addition of lyrics that will come on “I Lied.” The hip-hop attitude of “My Week Beats Your Year” feels somewhat out of place, but the blissfulness of “Bubble and Spike” brings things back into the atmosphere. The orchestral strings drench the title track, before a hint of R&B slides onto the vocals of “Nothing is Worth Losing That” and a rough industrial quality permeates “What It Is Without the Hand that Wields It.” But the gentleness once again returns for the heart-monitor steadiness of “What It Was Will Never Again” before an electric guitar slams its way onto the track. The guitar stays more acoustic on the closer, “At the Edge of the World You Will Still Float,” though it doesn’t stay lonely for long. While not as sublime as their debut, it’s still a beautiful album.
Release
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