Barker* – Utility
Label: |
Ostgut Ton – OSTGUTLP32 |
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Format: |
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Country: |
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Released: |
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Genre: |
Electronic |
Style: |
Neo Trance |
Tracklist
A1 | Paradise Engineering | |
A2 | Posmean | |
A3 | Experience Machines | |
B1 | Gradients Of Bliss | |
B2 | Hedonic Treill | |
C1 | Models Of Wellbeing | |
C2 | Utility | |
D1 | Wireheading | |
D2 | Die-Hards Of The Darwinian Order |
Companies, etc.
- Copyright © – Ostgut Ton
- Published By – Copyright Control
- Mastered At – Scape Mastering
- Lacquer Cut At – Scape Mastering
- Distributed By – Kompakt Distribution
Credits
- Artwork – MF Herzog @herzogtattoo*
- Lacquer Cut By – Pole
- Layout – Yusuf Etiman
- Mastered By – Stefan Betke
- Written By, Producer – Sam Barker (2)
Notes
© Ostgut Ton 2019
Made in the EU
Sticker on shrink-wrap:
Includes
[Ostgut Ton logo]
Comes with card enabling (various, also high-resoluten format) from bandcamp.com.
Made in the EU
Sticker on shrink-wrap:
Includes
[Ostgut Ton logo]
Comes with card enabling (various, also high-resoluten format) from bandcamp.com.
Barcode and Other Identifiers
- Barcode: 4250101409264
- Label Code: LC 14600
- Matrix / Runout (Etched runout side A): A OSTGUTLP 32 Pole @ Scape Mastering
- Matrix / Runout (Etched runout side B): B OSTGUTLP 32 Pole @ Scape Mastering
- Matrix / Runout (Etched runout side C): C OSTGUTLP 32 Pole @ Scape Mastering
- Matrix / Runout (Etched runout side D): D OSTGUTLP 32 Pole @ Scape Mastering
Other Versions (5 of 7)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Utility (12", 33 ⅓ RPM, Purple, 12", 33 ⅓ RPM, Green, All Media, Album, Limited Edition, Numbered) | Ostgut Ton | OSTGUTLP32 | 2019 | |||
Recently Edited
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Utility (CD, Album, Stereo, Digipak) | Ostgut Ton | OSTGUTCD46 | 2019 | |||
Utility (CD, Album) | Ostgut Ton | OTLCD2424, OSTGUTCD46 | Japan | 2019 | |||
New Submission
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Utility (9×File, MP3, Album, 320 kbps) | Ostgut Ton | OSTGUTCD46D | 2019 | |||
New Submission
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Utility (9×File, AIFF, Album) | Ostgut Ton | OSTGUTCD46D | 2019 |
Recommendations
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2017 UKVinyl —12", 33 ⅓ RPM, Album, Reissue, Repress
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Reviews
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Repress on Ostgut! Mis plegarias han sido escuchadas por fin. Venga esos Uruk Hai, os va a pagar 100 pavos vuestra prima la muelles!
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The music itself is amazing, definitely an achievement. The mastering lends itself well to vinyl, sounds great.
The pressing is a different matter. audible Non-fill/stitching all over the copies I’ve seen (my original purchase and it’s replacement). Here’s to hoping that if/when it is repressed that they’ll use different pressing plant with better QC. -
Un repressito de esto no vendria mal, que los Uruk Hai del Discogs lo estan poniendo por las nubes! :)
A ver si alguien que sepa Aleman lo traduce y se enteran los amiguis de Ostgut! -
Top quality album. Vinyl copy sounds much better than any copies of this found on digital streaming services. Definitely a lot more dynamic, a richer, fuller sound that adds to the listening experience. Highly recommended.
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I love this record. I have to say the pressing is not the best, lots of noticeable pops and clicks in the quiet parts. I bought this directly from Bandcamp and am a little bummed the pressing is not great but I do love the music.
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Excellent trancy tracks on four record sides. Having read about clicks and pops, the records had to endure ultrasonic cleaning before the first spin and played flawless. Helps, when played with equipment able to go down to 20 Hertz and a little bit below ;)
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Barkers record is outstanding, but pressing is not quite good, a lot of hiss and crackle on a mint record.
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Great album! I like every track. Love this particular techno style.
I gave it only 4 stars because both records contain a lot of clicks and pops (album bought from Bandcamp) that ruin the overall experience. -
Edited 4 years agosome of the tracks remind me of sounds and ideas in Theme From: Its All Gone Pearshaped
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
4 copies from €48.40