George DukeFaces In Reflection

Label:

BASF – 21 22018-4

Format:

Vinyl , LP, Album

Country:

Released:

Genre:

Funk / Soul

Style:

Fusion

Tracklist

A1 The Opening
Written-ByDuke*
3:18
A2 Capricorn
Written-ByDuke*
5:06
A3 Piano Solo No. 1 + 2
Written-ByDuke*
2:21
A4 Psychosomatic Dung
Written-ByDuke*
5:03
A5 Faces In Reflection No. 1 (Instrumental)
Written-ByDuke*
3:37
B1 Maria Tres Filhos
Written-ByMilton Nascimento
5:09
B2 North Beach
Written-ByDuke*
6:26
B3 Da Somba
Written-ByDuke*
6:18
B4 Faces In Reflection No. 2 (Vocal)
Written-ByDuke*
2:19

Companies, etc.

  • Published ByMycenae Music
  • Published ByUpam Music
  • Produced ForMPS Records
  • Distributed ByBASF
  • Phonographic Copyright ℗MPS Records GmbH

Credits

  • BassJohn Heard
  • DesignHeinz Bähr (2)
  • DrumsLeon Ndugu Chancler
  • KeyboardsGeorge Duke
  • Liner NotesMarcia Blackman
  • Mixed ByKerry McNabb
  • Producer, Photography ByBaldhard G. Falk
  • Recorded ByFred Borkgren

Notes

℗ 1974
On Center Label: Aufnahme MPS-Records - Vertrieb BASF

Barcode and Other Identifiers

  • Matrix / Runout (Label side A): 0666 226 S 1
  • Matrix / Runout (Label side B): 0666 226 S 2
  • Matrix / Runout (Runout side A, variant 1): 0666 226 S1 21 22018 4 S1 320 1 A 1
  • Matrix / Runout (Runout side B, variant 1): 0666 226 S2 21 22018 4 S2 320 A 1 1
  • Matrix / Runout (Runout side A, variant 2): 0666 226 S1 21 22018 4 S1 320 1 D
  • Matrix / Runout (Runout side B, variant 2): 0666 226 S2 21 22018 4 S2 320 1 B
  • Rights Society (Center Label): GEMA

Other Versions (5 of 22)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Faces In Reflection (LP, Album, Stereo) MPS Records MC 22018 US 1974
New Submission
Faces In Reflection (LP, Album, Test Pressing) MPS Records 15421, 5D064-99391 Netherlands 1974
New Submission
Faces In Reflection (LP, Album) BASF MC 22018, G 22018 US 1974
New Submission
Faces In Reflection (LP, Album, Promo) MPS Records MC 22018 US 1974
New Submission
Faces In Reflection (LP, Album, Promo) BASF 21 22018-4 1974

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Reviews

  • MusicGriz's avatar
    MusicGriz
    this is amazing, reminds me a lot of Bo Hanssons Music inspired by watership down
    • TrentonQuarantino's avatar
      This album has blown my mind wide open. Ive gotten heavy into jazz and fusion for the first time in my life, and out of everything Ive heard since i began the journey, this album is the best.Faces in Reflection pt. 1 in particular is the best thing ive heard in a very long time.
      • dylaf's avatar
        dylaf
        'George is humble about his albums and summed it up with statement: "As long as I can play what I want to and make reasonable money to live . . . I am happy. Making a hit isn't important".'

        From the cover notes, by Marcia Blackman.

        The hits of yesterday are the cliques of today; thanks to George's working philosophy, this s a stack of material that will never get tired, old, or die, nor the endless trawl of 'easy money popular classics' record labels resurrect year after year for the zombies. An incredible timeless masterpiece.

        • Expansive09's avatar
          Expansive09
          Edited 3 years ago
          One of my favorite for many reasons: no guitar, sax, little vocals, amazingly tight trio, lots of synths and clavs, intense, laid back and funky all in less than 45minutes! Simply stated IMHO one of his best 70s albums hands down. The tone-juice he squeezes out of the ARP is damn unreal!
          • wjcain's avatar
            wjcain
            Has anyone seen a Japanese release for this? Catalog #ULS-6048-P
            • TommyVF's avatar
              TommyVF
              Edited 6 years ago
              YH!!! One of my fav jazz records. <3 George Duke trio at its freshest and most ambitious. First time he really whipped out the synth and explored its possibilities (thanks to Zappa, who got him both to sing and to play synth, I've read!). Impressive result from a trio, too. Quite diverse record with some solo keys stuff (a more ambient psychedelic track and a almost classical sounding soulful piano piece), some vocal involvement (both lyrical and non-lyrical), some funky jazz fusion bits, and some really fun latin-y stuff with fancy percussion improvisation. Then there's the title composition which to me has a darker prog rock feeling to it, with some non-4/4 beat stuff.

              A real journey that never stops mesmerizing, in my experience. It's so clear that the musicians are having real fun when playing together, with both interesting compositions and improvisations.

              TT score:
              Enjoyability/Variety/Appeal/Originality/Skills=100%
              20/18/18/17/20=93%

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