Tracklist
Suffocate The Masses | |||
Enslaved In Rot | |||
Left On The Stake | |||
Outro |
Credits (7)
- Jannike Wisa Hansen*Artwork [Logo]
- Olve EikemoBass, Vocals
- Pelle*Cover
- Gædda*Drums
- Harald NævdalGuitar
- Jørn Tunsberg*Guitar
Versions
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8 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Immortal
Cassette, Single Sided
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Not On Label (Immortal Self-released) – none | Norway | 1991 | Norway — 1991 |
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Immortal
Cassette, Single Sided, Advance, EP, Compilation, Mixtape, Stereo
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Not On Label (Immortal Self-released) – none | Norway | 1991 | Norway — 1991 |
New Submission
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Call Of The Wintermoon
7", 33 ⅓ RPM, Unofficial Release
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Not On Label (Immortal) – none | Norway | 2003 | Norway — 2003 | ||||
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Call Of The Wintermoon
7", 33 ⅓ RPM
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Not On Label (Immortal) – none | Norway | 2003 | Norway — 2003 |
New Submission
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Immortal
Cassette, Limited Edition, Reissue
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Darkness Shall Rise Productions – DSR 107 | 2020 | — 2020 |
New Submission
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Demo
Cassette, Single Sided, Unofficial Release
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Not On Label (Immortal) – none |
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Immortal
Cassette, Unofficial Release
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Not On Label (Immortal) – none | Europe | Europe |
New Submission
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Demo
Cassette, Single Sided, Numbered, Reissue, Unofficial Release, Clear/Black
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Not On Label (Immortal) – none |
New Submission
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Recommendations
Reviews
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A note from former editor of BMG Fanzine (PAN)
Back in the '90s, I ran a humble xeroxed fanzine, inspired by underground publications from the US and Mexico, particularly the legendary Mutilador ‘Zine. My journey into the scene had begun in 1990 through cassette trading, a practice that connected like-minded souls across continents. At the time, Panama had a small but growing zine culture, though most were dedicated to the local punk scene rather than extreme music as a whole. Sensing a gap, I set out to create my own.
For the first issue, I wrestled with finding the right name. Then, a moment of inspiration struck: I recalled Blood, an album by This Mortal Coil, and blended it with the macabre imagery of japanese myth — the ghouls, spectral devourers of the dead. And so, Bloody Mortal Ghouls was born—BMG ‘Zine, for short.
The first edition needed strong content, and I managed to secure interviews with Cannibal Corpse, Therion, and among others Immortal. At the time, I wasn’t particularly drawn to the resurgence of black metal sweeping through Scandinavia, yet I recognized that many of these bands stemmed from the same death metal roots flourishing in Europe. I initially reached out to Harald, better known as Demonaz Doom Occulta, but I addressed my letter to his earlier band, Amputation. By then, that project had already dissolved. To my surprise, he responded, proposing an interview—not for Amputation, but for his new band, Immortal
Back then, everything depended on patience. You wrote, you waited for the post. When I learned that Abbath, whom I knew as Olve from Old Funeral, was involved, handling both vocals and bass, I knew I had stumbled upon something special. Without hesitation, I sent my questions, and the resulting interview found its place in BMG Issue I.
To this day, I still have the letter. I still have the cassette. A testament to an era when ion, persistence, and postage brought underground metal to life in early 90's.
All the best,
Lionel
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