Ramones – Road To Ruin

I've enjoyed these 2001 remasters. A little more squished but not outrageously so (09, 07, 10). By and large they sound real good and you get a variety of extra tracks from outtakes on some and an entire show on at least one. I'm a fan.

If anybody wants to part with their inner sleeve hit me up

Saw the Rhino Hi-Fi online and ed these comments—decided to buy this version instead for $15 less. Holy Moly! It does indeed sound fantastic! Thanks to everyone who recommended it.

COMPARISON TIME:

2019 RHINO (black and blue vinyl copies) vs 2024 RHINO HI-FI

For those who dont like reading and want to keep it short, the 2019 regular cut handily outperforms the 2024 so called "hi-fidelity" press for sound. Truly, its not even close. I accept the 2024 is much more packaged (if two to three times the price mind). So buy on the basis of which one suits your priorities.

So then, i shall elaborate on the sound, but first let me offer my sincere heartfelt apologies if i offend any KPG fanboys. He has dropped another dud with this Rhino Hifi cut and im alarmed at his drop off in mastering quality of late.
To conclude then, the 2019 has....
- a much wider deeper 3d soundstage
- far more transient impact
- far better bass wallop
- much sweeter and clearer highs
- no distortion baked in the end of sides
- half the retail price

The 2024 Hifi has...
- erm, a nicer jacket?

I tried to convince myself i was wrong. I bought a second Rhino hifi which is just as dead sounding as the first and again breaks up into fizzy distortion at the side ends (low hrs microline, check). Seriously, the drums sound pathetic. They hit with all the force of a cheap water pistol. The uppers are rolled off into dullness territory. This leaves a flat sound with added distortion as the sides close out. Theres no life. And a Ramones pressing with no life is not even worth considering.

The vinyl compounds are nigh on identical... both damn near silent. That the Rhino 2019 offers such sweet and crisp yet very expansive sound on flat and heavy, nigh silent vinyl for £18 is what this hobby is all about. The blue copy ive got is remarkably low of noise floor for coloured vinyl and doesnt add any distortion at the same time like some do. I cant be too sad about the Rhino Hifi though, i not only save money, i get to avoid the most annoyingly tight jackets ever made and sell the distorted dullard to some suck, i mean plucky individual for more than i paid for it! A second time!!Lucky for me then, that audiophiles are easily parted with their money.

At 2500 LPs - with many of them by Kevin - i will state i like most of his masterings but im realising its the bulk of the earlier pre covid work that i enjoy. Too many of late have gone awry and his mastering choices are literally contradictions of each other. I hope its not a trend and he is just overworked as theres no doubt the new vinyl that comes out these days with his name on is vastly greater in number than what was coming 10 yrs ago. Ive even said a little prayer for it to somehow resolve itself, perhaps his recent protegè will share the burden lol. Then again i bought his Burrell/Coltrane OJC and...... 🙉

COMPARISON TIME:

2019 RHINO vs 2024 RHINO HI-FI

For those who dont like reading and want to keep it short, the 2019 regular cut handily outperforms the 2024 so called hi-fidelity press for sound. Truly, its not even close. But the 2024 is much more packaged (if two to three times the price mind). So buy on the basis of which one suits your priorities.

So then, i shall elaborate on the sound, but first let me offer my sincere heartfelt apologies if i offend any KPG fanboys. He has dropped another dud and im alarmed at his drop off in mastering quality of late.
To conclude then, the 2019 has....
- a much wider deeper 3d soundstage
- far more transient impact
- far better bass wallop
- much sweeter and clearer highs
- no distortion baked in the end of sides
- half the retail price

The 2024 Hifi has...
- erm, a nicer jacket?

I tried to convince myself i was wrong. I bought a second Rhino hifi which is just as dead sounding as the first and again breaks up into fizzy distortion at the side ends (low hrs microline, check). Seriously, the drums sound pathetic. They hit with all the force of a cheap water pistol. The uppers are rolled off into dullness territory. This leaves a flat sound with added distortion as the sides close out. Theres no life. And a Ramones pressing with no life is not even worth considering.

The vinyl compounds are nigh on identical... both damn near silent. That the Rhino 2019 offers such sweet and crisp yet very expansive sound on flat and heavy, nigh silent vinyl for £18 is what this hobby is all about. I cant be too sad about the Rhino Hifi though, i not only save money, i get to avoid the most annoyingly tight jackets ever made and sell the distorted dullard to some suck, i mean plucky individual for more than i paid for it! A second time!!Lucky for me then, that audiophiles are easily parted with their money.

At 2500 LPs - with many of them by Kevin - i will state i like most of his masterings but im realising its the bulk of the earlier pre covid work that i enjoy. Too many of late have gone awry and his mastering choices are literally contradictions of each other. I hope its not a trend and he is just overworked as theres no doubt the new vinyl that comes out these days with his name on is vastly greater in number than what was coming 10 yrs ago. Ive even said a little prayer for it to somehow resolve itself, perhaps his recent protegè will share the burden lol. Then again i bought his Burrell/Coltrane OJC and...... 🙉

COMPARISON TIME:

2019 RHINO vs 2024 RHINO HI-FI

For those who dont like reading and want to keep it short, the 2019 regular cut handily outperforms the 2024 so called hi-fidelity press for sound. Truly, its not even close. But the 2024 is much more packaged (if two to three times the price mind). So buy on the basis of which one suits your priorities.

So then, i shall elaborate on the sound, but first let me offer my sincere heartfelt apologies if i offend any KPG fanboys. He has dropped another dud and im alarmed at his drop off in mastering quality of late.
To conclude then, the 2019 has....
- a much wider deeper 3d soundstage
- far more transient impact
- far better bass wallop
- much sweeter and clearer highs
- no distortion baked in the end of sides
- half the retail price

The 2024 Hifi has...
- erm, a nicer jacket?

I tried to convince myself i was wrong. I bought a second Rhino hifi which is just as dead sounding as the first and again breaks up into fizzy distortion at the side ends (low hrs microline, check). Seriously, the drums sound pathetic. They hit with all the force of a cheap water pistol. The uppers are rolled off into dullness territory. This leaves a flat sound with added distortion as the sides close out. Theres no life. And a Ramones pressing with no life is not even worth considering.

The vinyl compounds are nigh on identical... both damn near silent. That the Rhino 2019 offers such sweet and crisp yet very expansive sound on flat and heavy, nigh silent vinyl for £18 is what this hobby is all about. I cant be too sad about the Rhino Hifi though, i not only save money, i get to avoid the most annoyingly tight jackets ever made and sell the distorted dullard to some suck, i mean plucky individual for more than i paid for it! A second time!!Lucky for me then, that audiophiles are easily parted with their money.

At 2500 LPs - with many of them by Kevin - i will state i like most of his masterings but im realising its the bulk of the earlier pre covid work that i enjoy. Too many of late have gone awry and his mastering choices are literally contradictions of each other. I hope its not a trend and he is just overworked as theres no doubt the new vinyl that comes out these days with his name on is vastly greater in number than what was coming 10 yrs ago. Ive even said a little prayer for it to somehow resolve itself, perhaps his recent protegè will share the burden lol. Then again i bought his Burrell/Coltrane OJC and...... 🙉

I have a promo press with runouts and labels matching this, but the spine is yellow? Do I have a different variant or something?

All you crosley-heads need to get some better equipment. This LP sounds great on good gear.

Never heard this album sound this good. I don't own any other pressings to compare, but I've listened to various rips from various sources, and this is the best of all. "Don't Come Close" and "She's The One" sound particularly stunning. Absolutely a must. Great writeup included as well

It appears that this Ramones pressing has two distinct sleeve variants: one with a laminated sleeve that has a glossy, smooth finish, and another with a regular paper sleeve featuring a matte, standard paper stock. Both sleeves are identical in of text and artwork, with no differences in the printed information or design. This could potentially be due to different pressing plants or a reissue variation. If anyone has additional insights or can confirm the origin of these variants, it would be appreciated.